![]() They would call me up every day for a report. Really, the only reason I was able to finish was because of Penn and Teller and their stupid cameras. I learned that my attention span was longer than I thought. What did you learn about yourself as a person during this process not as an artist or inventor, but as someone who undertook what you did and stuck with it for so long? In the 1600s, they estimate that about five million artworks were made in Holland. They spent their money on luxury goods and art. ![]() Holland had money coming out of the kazoo and people had a lot of spare time. They painted an enormous amount of art during that time. I learned a lot about that period and those people. I got interested in Holland in the 17th century as well as Italian art just before that. Well, I got very interested in the Dutch Golden Age of art. What did you learn about the art period of Vermeer that you didn’t know before starting this project? That was probably the best evidence that I might be on the right track. The overall look of the painting has that, sort of, Vermeer look. There are a lot of ways the two paintings are different. Santikos bijou san antonio menu how to#I knew that, but I didn’t know how to paint it the way Vermeer did it. He painted some of those dots just to leave an impression of the texture. If you look at his rug with a microscope, he didn’t paint all those dots. Vermeer painted the rug very economically. It was just silly to paint the carpet that way. It’s not unpleasant, except for the back muscles. It doesn’t require a whole lot of analysis to know what you’re doing once you get the hang of it. There’s no time to really be thinking about something else. ![]() You kind of have to be in this Zen state. ![]() Do you have to have a clear mind when you’re doing that or are you thinking about what you’re going to make for dinner later that evening? What is going on in your mind when you’re working on some of the more monotonous parts of the painting? For example, in the film we see you working on the rug portion of the painting for days. “Tim’s Vermeer” opens exclusively at the Santikos Bijou Theater March 7. 20, I sat down with Jenison for a quick Q&A about the film and the painstaking hours it took him to complete his own masterpiece. In the fascinating documentary “Tim’s Vermeer,” San Antonio-based inventor and entrepreneur Tim Jenison challenges himself to recreate one of 17th century Dutch painter Johannes Vermeer’s most well-known artworks, “The Music Lesson.” Despite his lack of artistic expertise, Jenison goes on this incredible journey that theorizes how Vermeer was able to paint so photo-realistically during an era without today’s photo technology.Īfter a screening of the film at the Southwest School of Art on Feb. ![]()
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